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Showing posts with label Bill Conti. Show all posts
Showing posts with label Bill Conti. Show all posts

Friday, April 3, 2020

Episode 53: National Film Score Day 2020

In their latest episode, Glenn and Scott try to wash the taste of another disappointing slate of Oscar scores out of their mouths. In honor of National Film Score Day, they review ten scores they’ve never covered on the show before, selected for no reason other than that they’re good. These aren’t legendary scores or universally-acknowledged classics - one of the selection criteria was “Scott can’t just pick Superman” - but they make the case for why these ten scores deserve a listen from any film score fan, or anyone interested in becoming one. Come for the 1950s scores Glenn is finally able to bring to the show; stay for Scott’s favorite score from a Sinbad film.

You can support the show on Patreon at patreon.com/nontoxicfanboys.

Musical Selections:

  • from Necessary Roughness by Bill Conti:
    • “Main Title”
    • “Featherstone Gets It”
    • “The Iron Men”
    • “Featherstone Follies”
    • “The Big Ending”
    • “Up Yours, Phil!”
    • “First Kiss/Blake Quits”
  • from The Fountain by Clint Mansell:
    • “The Last Man”
    • “Death Is the Road to Awe”
  • from Conspiracy Theory by Carter Burwell:
    • “Overture”
    • “Riding”
  • from Columbus Circle by Brian Tyler:
    • “Columbus Circle”
    • “Puzzle Pieces”
  • from Transformers by Steve Jablonsky:
    • “No Sacrifice, No Victory”
    • “You’re a Soldier Now”
    • “The All Spark”
    • “Arrival to Earth”
  • from Land of the Pharaohs by Dimitri Tiomkin:
    • “Pharaoh’s Procession”
    • “Main Title”
    • “End Title”
    • “Pharaoh’s Procession”
  • from The Time Machine by Klaus Badelt:
    • “I Don’t Belong Here”
    • “Godspeed”
  • from The Return of Dracula by Gerald Fried:
    • “Main Title”
    • “Sunrise”
  • from Quigley Down Under by Basil Poledouris:
    • “Main Title”
    • “The Attack”
    • “Cora’s Story”
    • “Dingo Attack”
  • from Tron Legacy by Daft Punk:
    • “Flynn Lives”
    • “The Son of Flynn”
    • "Finale”
    • “End Title”

Buy the music excerpted in this episode:

Monday, February 3, 2020

Episode 52: Fifth Annual Oscar Preview: Best Original Score 2019

In this year's Oscar preview Glenn & Scott cover the distinctly different moods expressed in the scores for Joker, Marriage Story, 1917, Little Women, and The Rise of Skywalker — a Star Wars score by John Williams, something never before discussed on this podcast. In part 2 they discuss the one 2019 score Scott actually liked, some highlights Glenn found noteworthy, and the best single track from any score in the last five years. Glenn feels the joy of eucatastrophe, while Scott searches desperately for melodies.

You can support the show on Patreon at patreon.com/nontoxicfanboys.

Musical Selections:

  • “Defeated Clown” from Joker by Hildur Guðnadóttir
  • “Bathroom Dance” from Joker by Hildur Guðnadóttir
  • “Following Sophie” from Joker by Hildur Guðnadóttir (2x speed)
  • “What I Love About Nicole” from Marriage Story by Randy Newman
  • “Shouting and Shopping” from Marriage Story by Randy Newman
  • “Canon in D” by Johann Pachelbel
  • “Sixteen Hundred Men” from 1917 by Thomas Newman
  • “Theatre in the Attic” from Little Women by Alexandre Desplat
  • “Ice Skating” from Little Women by Alexandre Desplat
  • “Main Title” from North and South by Bill Conti
  • “We Go Together” from Star Wars: The Rise of Skywalker by John Williams
  • “End of Story (Credits)” from Marriage Story by Randy Newman
  • “Main on End” from Avengers: Endgame by Alan Silvestri
  • “Far from Home Suite Home” from Spider-Man: Far from Home by Michael Giacchino
  • “Swinging Set” from Spider-Man: Far from Home by Michael Giacchino
  • “The Professor and the Madman” from The Professor and the Madman by Bear McCreary
  • “Rebirth” from Godzilla: King of the Monsters by Bear McCreary
  • “Portals” from Avengers: Endgame by Alan Silvestri
  • “Far from Home Suite Home” from Spider-Man: Far from Home by Michael Giacchino

Buy the music excerpted in this episode: