As is rapidly becoming tradition, Glenn & Scott celebrate National Film Score Day by reviewing scores they actually like. After a surprisingly long discussion of endorsement opportunities for the Quibi reboot of The Fugitive, they present their favorite scores of 2020. Glenn reviews a score written by the film’s director, Scott reviews a composer he discovered (within certain very specific contexts), and of course we can’t do a score show without talking about the Great Satan Zimmer.
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The theme music used in this podcast is Discovery by Alexander Nakarada
Link: https://filmmusic.io/song/5756-discovery
License: https://filmmusic.io/standard-license
Musical excerpts:
- "Enola Holmes (The Future Is Up to Us)" from Enola Holmes by Daniel Pemberton
- "Enola Hollmes (Wild Child)" from Enola Holmes by Daniel Pemberton
- "London Arrival" from Enola Holmes by Daniel Pemberton
- "School Escape" from Enola Holmes by Daniel Pemberton
- "Tick Tock" from Enola Holmes by Daniel Pemberton
- "Fanny Lye Deliver'd" from Fanny Lye Deliver'd by Thomas Clay
- "Approach of the Sheriff" from Fanny Lye Deliver'd by Thomas Clay
- "The Sheriff's Rapture" from Fanny Lye Deliver'd by Thomas Clay
- "Second Morning" from Fanny Lye Deliver'd by Thomas Clay
- "March to Joy" from Fanny Lye Deliver'd by Thomas Clay
- "Themyscira" from Wonder Woman 1984 by Hans Zimmer
- "Wonder Woman Rescue" from Justice League by Danny Elfman
- "Open Road" from Wonder Woman 1984 by Hans Zimmer
- "Truth" from Wonder Woman 1984 by Hans Zimmer
- "The White House" from Wonder Woman 1984 by Hans Zimmer
- "Black Gold" from Wonder Woman 1984 by Hans Zimmer
Buy the music reviewed in this episode:
