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Showing posts with label Carter Burwell. Show all posts
Showing posts with label Carter Burwell. Show all posts

Friday, April 3, 2020

Episode 53: National Film Score Day 2020

In their latest episode, Glenn and Scott try to wash the taste of another disappointing slate of Oscar scores out of their mouths. In honor of National Film Score Day, they review ten scores they’ve never covered on the show before, selected for no reason other than that they’re good. These aren’t legendary scores or universally-acknowledged classics - one of the selection criteria was “Scott can’t just pick Superman” - but they make the case for why these ten scores deserve a listen from any film score fan, or anyone interested in becoming one. Come for the 1950s scores Glenn is finally able to bring to the show; stay for Scott’s favorite score from a Sinbad film.

You can support the show on Patreon at patreon.com/nontoxicfanboys.

Musical Selections:

  • from Necessary Roughness by Bill Conti:
    • “Main Title”
    • “Featherstone Gets It”
    • “The Iron Men”
    • “Featherstone Follies”
    • “The Big Ending”
    • “Up Yours, Phil!”
    • “First Kiss/Blake Quits”
  • from The Fountain by Clint Mansell:
    • “The Last Man”
    • “Death Is the Road to Awe”
  • from Conspiracy Theory by Carter Burwell:
    • “Overture”
    • “Riding”
  • from Columbus Circle by Brian Tyler:
    • “Columbus Circle”
    • “Puzzle Pieces”
  • from Transformers by Steve Jablonsky:
    • “No Sacrifice, No Victory”
    • “You’re a Soldier Now”
    • “The All Spark”
    • “Arrival to Earth”
  • from Land of the Pharaohs by Dimitri Tiomkin:
    • “Pharaoh’s Procession”
    • “Main Title”
    • “End Title”
    • “Pharaoh’s Procession”
  • from The Time Machine by Klaus Badelt:
    • “I Don’t Belong Here”
    • “Godspeed”
  • from The Return of Dracula by Gerald Fried:
    • “Main Title”
    • “Sunrise”
  • from Quigley Down Under by Basil Poledouris:
    • “Main Title”
    • “The Attack”
    • “Cora’s Story”
    • “Dingo Attack”
  • from Tron Legacy by Daft Punk:
    • “Flynn Lives”
    • “The Son of Flynn”
    • "Finale”
    • “End Title”

Buy the music excerpted in this episode:

Monday, January 14, 2019

Episode 41: Third Annual Oscar Preview – Best Original Score 2017

At long last, Glenn & Scott return to the Oscar vault to run down the nominees for best score of 2017! They discuss Phantom Thread by Jonny Greenwood, Dunkirk by Hans Zimmer, Three Billboards Outside Ebbing, Missouri by Carter Burwell, The Shape of Water by Alexandre Desplat, Star Wars: The Last Jedi by John Williams, and the definition of music. Stay after the break for their thoughts on selected non-nominated scores from 2017 as well.

You can support the show on Patreon at patreon.com/nontoxicfanboys.

Musical Selections:

  • WWE Hall of Fame Intro Theme
  • “Barbara Rose” from Phantom Thread by Jonny Greenwood
  • “Supermarine” from Dunkirk by Hans Zimmer
  • “Billboards on Fire” from Three Billboards Outside Ebbing, Missouri by Carter Burwell
  • “The Shape of Water” from The Shape of Water by Alexandre Desplat
  • “Peace and Purpose” from Star Wars: The Last Jedi by John Williams
  • “Theme from ‘Spider Man’ (Original Television Series)” from Spider-Man: Homecoming by Michael Giacchino; original theme by Bob Harris and Paul Francis Webster
  • “No Vault of His Own” from Spider-Man: Homecoming by Michael Giacchino
  • “Spider-Man: Homecoming Suite” from Spider-Man: Homecoming by Michael Giacchino
  • “Vulture Clash” from Spider-Man: Homecoming by Michael Giacchino
  • “Lift Off” from Spider-Man: Homecoming by Michael Giacchino
  • “No Man’s Land” from Wonder Woman by Rupert Gregson-Williams
  • “The Mountain Between Us” from The Mountain Between Us by Ramin Djawadi
  • “Power Rangers Theme” from Power Rangers by Brian Tyler
  • “Go Go Power Rangers” from Power Rangers by Brian Tyler
  • “It’s Morphing Time!” from Power Rangers by Brian Tyler
  • “Tokyo Ghoul Main Title” from Tokyo Ghoul by Don Davis
  • “Eating Human Flesh” from Tokyo Ghoul by Don Davis
  • “Run Londinium” from King Arthur: Legend of the Sword by Daniel Pemberton

Buy the music excerpted in this episode:

Friday, February 12, 2016

Episode 8: First Annual Oscar Preview – Best Original Score 2015

Oscar season is here, and The Glenn Butler Podcast Hour Spectacular is ON IT. Glenn & Scott cover this year’s Oscars the only way they know how: by running down the five nominees for Best Original Score! They discuss Jóhann Jóhannsson’s score for Sicario, Ennio Morricone’s The Hateful Eight, Thomas Newman’s Bridge of Spies, Carter Burwell’s Carol, and last but not least, John Williams’ Star Wars: The Force Awakens. They discuss their reactions to the commercial albums for all five scores, the differences between those and what Academy voters have received, some other scores by the nominated composers, which score they think will win, the political decision-making that goes into an actual Academy vote for Best Score, and more!

For an extended discussion of The Force Awakens‘ score, check out episode three of the ol’ Podcast Hour Spectacular.

You can support the show on Patreon at patreon.com/nontoxicfanboys.

Musical selections:

  • “Desert Music” from Sicario by Jóhann Jóhannsson
  • “L’Ultima Diligenza di Red Rock (#2)” from The Hateful Eight by Ennio Morricone
  • “La Lettera di Lincoln (Strumentale)” from The Hateful Eight by Ennio Morricone
  • “Homecoming” from Bridge of Spies by Thomas Newman
  • “Opening” from Carol by Carter Burwell
  • “Christmas Trees” from Carol by Carter Burwell

Purchase the scores discussed in this episode: